We found Control Room Pro really useful when using Guitar Rig 5 during the mix stage of a full production. You can balance these eight (often vastly differing) sounds as you see fit via the module's mixer pane, with pan, level, solo and mute controls. The mic selection was fixed, but expanding upon the concept is Control Room Pro, where you can choose cab, mic and mic position per channel, fade in a room mic and flip the phase, which can be a powerful tone-altering trick. Guitar Rig Pro 4 introduced Control Room, an eight-channel array of virtual cabs/mics that you could mix to create custom tones. In terms of its amp tones in general, Guitar Rig 5 Pro sounds very good, but it does fall slightly short when it comes to absolute authenticity, responsiveness and real-deal feel you'd get from a great valve amp/cab, which some other products pull off better. GR5 has one up on most amp sims due to its Control Room Pro cab/mic system, which can be most useful in teasing just the right response from those palm-muted chugs. This is an emulation of the Ibanez Tube Screamer, which is often used in the real world to tighten the bottom end up in the same way. However, this was quickly cured by inserting Guitar Rig's Skreamer overdrive unit before the amp. By running the same drop-tuned, DI'ed guitar parts through both pieces of software, there was no doubt that the Peavey version could achieve tighter note definition and greater clarity out of the box - GR5 was slightly muddy in comparison. Speaking of which, we took the opportunity to compare the 5150 emulations of Guitar Rig 5 Pro and Peavey's ReValver.

Native instruments guitar rig demo